A distinguished chronicler of the human body and spirit interprets a Renaissance geniusThe enigma of the Mona Lisa's smile is not less than the enigma of her creator's life force."In Leonardo da Vinci, Sherwin Nuland (whose own work Time has called "awe-inspiring") completes his twenty-year quest to understand an unlettered man who was painter, architect, engineer, philosopher, mathematician, and scientist. What was it that propelled Leonardo's insatiable curiosity? How could he be, in the same moment, as naive as a child and as profound as a sage? Nuland finds clues in his subject's art, relationships, and scientific studies--as well as in the manuscripts spotlighted by their sale at auction to Bill Gates. Nuland detects the siren voice that lured the great artist so often into the arms of science--his fascination with anatomy, first as the basis for his paintings and then as the crucial component in his aim to systematize all knowledge of nature. Scholarly and passionate, Nuland's Leonardo da Vinci takes us deep into the first truly modern, empirical mind, one that was centuries ahead of its time.
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It took a mid-twentieth century art show in Milan to rediscover this Italian artist, emblematic of the Baroque period, who lived during the second half of the 16th and first half of the 17th centuries. Michelangelo Merisi was born to a family of modest means in 1571 near Milan. At the age of thirteen, he became an apprentice of the painter Simone Peterzano, who taught him artistic techniques and the use of colours. But he was atracted by Rome, with its fast pace of life and its loose morals. In 1597, he became the protégé to a noble cardinal who assisted him in securing important orders, such as The Martyrdom of St. Matthew, but he turned many of the offers down because of the vulgarity of the subject. Rejecting mannerism in favour of realism, this artist of the Counter- Reformation restored to the saints their humanity. Paradoxically, this mystical painter gives the saints a sensuality which goes beyond veneration and opens the door to an ambiguous eroticism. Caravaggio also experienced the taste of dishonour and prison. After the murder of Tomasi, he was condemned to exile. He died on the 18th of July 1610 as he had lived - unexpectedly, like a character in a novel, far away from his beloved Rome, on the eve of his pardon by Pope Paul V. His work remains tremendous - both his themes and his techniques became an inspiration for Rubens, Velázquez, and Rembrandt, inspiring especially the technique of chiaroscuro, of which he was one of the precursors. With the help of numerous colour reproductions, this book retraces the life of Caravaggio and analyses his work while illustrating the scope of his influence on the greatest artists.
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